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Anthology with Vines 2

In stock
SKU
WMET0183
Specialty: Giclee on Hand Applied Gold Leaf, with Eighteen Matte Paper Accents, Framed in a Lined Shadowbox
  • Matte Paper
  • Non-Customizable
  • 41.5"w x 41.5"h
:
Image MC2329SUB1
MC2329SUB1
1″ x 2.13″
Maximum 250 characters
DP264138_50x40

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

Anthology of Japanese and Chinese Poems with Underpainting of Arrowroot Vines

Calligraphy by Konoe Nobuhiro (Japanese, 1599–1649)

Underpainting attributed to Hasegawa Sōya (Japanese, born 1590),

Six-panel folding screen; ink and color on gilt paper; early 17th century,

Purchase, several members of The Chairman’s Council Gifts, 2001 2001.423

Swaying arrowroot vines (kuzu) in autumnal decline serve as the background for an array of Japanese and Chinese poems inscribed on poem cards (shikishi). The poems share common themes such as the four seasons, bamboo, pines, and clouds. The idiosyncratic style of the calligraphy, with hooks at the ends of strokes and the tall, elongated profile of the characters, is attributable to the nobleman-calligrapher Konoe Nobuhiro. In East Asia, the arts of poetry, calligraphy, and painting are considered the “three perfections,” and since the 9th century, the Japanese have decorated screens with paintings and poems inscribed in fine calligraphy.

DP264138_50x40

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

Anthology of Japanese and Chinese Poems with Underpainting of Arrowroot Vines

Calligraphy by Konoe Nobuhiro (Japanese, 1599–1649)

Underpainting attributed to Hasegawa Sōya (Japanese, born 1590),

Six-panel folding screen; ink and color on gilt paper; early 17th century,

Purchase, several members of The Chairman’s Council Gifts, 2001 2001.423

Swaying arrowroot vines (kuzu) in autumnal decline serve as the background for an array of Japanese and Chinese poems inscribed on poem cards (shikishi). The poems share common themes such as the four seasons, bamboo, pines, and clouds. The idiosyncratic style of the calligraphy, with hooks at the ends of strokes and the tall, elongated profile of the characters, is attributable to the nobleman-calligrapher Konoe Nobuhiro. In East Asia, the arts of poetry, calligraphy, and painting are considered the “three perfections,” and since the 9th century, the Japanese have decorated screens with paintings and poems inscribed in fine calligraphy.