Local Storage seems to be disabled in your browser.
For the best experience on our site, be sure to turn on Local Storage in your browser.

Knitting in the Garden

In stock
SKU
WMET0196
Specialty: Giclee on Canvas, Gallery Wrapped, Artist Enhanced
  • Canvas
  • Gallery Wrapped, Artist Enhanced
  • 47.5"w x 41.5"h
:
Image MC0899SUB1
MC0899SUB1
3″ x 1.75″

Default product specifications may be changed using our art customizer.

Maximum 250 characters
DT1928_48x42

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

Young Woman Knitting

Berthe Morisot (French, 1841–1895)

Oil on canvas, 19 3/4 x 23 5/8 in., ca. 1883

Bequest of Miss Adelaide Milton de Groot (1876-1967), 1967    67.187.89

With refreshing disregard for prior stylistic conventions, Morisot glosses over facial features and dispenses with other descriptive details to present a snapshot glimpse of a modern-day subject. Her paring down to the essentials may be seen as a bold fashion statement of sorts: her sitter sports the latest style of dress and is shown knitting in a garden typical of the period, with a gravel path and flowering roses. The elegant chairs suffice to define the setting as a backyard, which had become a popular fixture of the middle-class household. Morisot probably painted the work in Bougival, where she spent the summers of 1881–84, perhaps enlisting her daughter’s nanny as a model.

DT1928_48x42

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

Young Woman Knitting

Berthe Morisot (French, 1841–1895)

Oil on canvas, 19 3/4 x 23 5/8 in., ca. 1883

Bequest of Miss Adelaide Milton de Groot (1876-1967), 1967    67.187.89

With refreshing disregard for prior stylistic conventions, Morisot glosses over facial features and dispenses with other descriptive details to present a snapshot glimpse of a modern-day subject. Her paring down to the essentials may be seen as a bold fashion statement of sorts: her sitter sports the latest style of dress and is shown knitting in a garden typical of the period, with a gravel path and flowering roses. The elegant chairs suffice to define the setting as a backyard, which had become a popular fixture of the middle-class household. Morisot probably painted the work in Bougival, where she spent the summers of 1881–84, perhaps enlisting her daughter’s nanny as a model.