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Terrain Near Mont Blanc

In stock
SKU
WMET0204
Specialty: Giclee on Matte Paper, Straight Cut and Floated on Fabric Wrapped Linen Mat, Framed in a Lined Shadowbox
  • Matte Paper
  • Straight Cut and Floated on Mat, Framed in Shadowbox
  • 56"w x 42"h
:
Image M0801SUB1
M0801SUB1
1.25″ x 1.88″
:
Image FWM-RAW-LIN-OS
FWM-RAW-LIN-OS
2″

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Maximum 250 characters
DP883025_64x48

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

View Above Handeck, Switzerland

Eugène-Emmanuel Viollet-le-Duc (French, 1814–1879)

Watercolor heightened with gouache on blue paper, 10 3/4 x 14 7/8 in., 1875

Purchase, The Isaacson-Draper Foundation Gift, in memory of Jacob Bean, 2018    2018.281

Architect, theorist, and draftsman Viollet-le-Duc spent the last years of his life living in Switzerland, where he worked on the restoration of the Cathedral of Lausanne and on preparing a map of the Mont Blanc massif. The map was published in 1876 with a “study of its geodesic and geological construction, its transformations, and the old and modern state of its glaciers.” Although executed in an area outside the focus of the map, this drawing relates to those made for that project, combining the careful, analytical approach to recording the terrain with a more painterly and evocative use of the watercolor medium.

DP883025_64x48

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

View Above Handeck, Switzerland

Eugène-Emmanuel Viollet-le-Duc (French, 1814–1879)

Watercolor heightened with gouache on blue paper, 10 3/4 x 14 7/8 in., 1875

Purchase, The Isaacson-Draper Foundation Gift, in memory of Jacob Bean, 2018    2018.281

Architect, theorist, and draftsman Viollet-le-Duc spent the last years of his life living in Switzerland, where he worked on the restoration of the Cathedral of Lausanne and on preparing a map of the Mont Blanc massif. The map was published in 1876 with a “study of its geodesic and geological construction, its transformations, and the old and modern state of its glaciers.” Although executed in an area outside the focus of the map, this drawing relates to those made for that project, combining the careful, analytical approach to recording the terrain with a more painterly and evocative use of the watercolor medium.