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Self Portrait of van Dyck

In stock
SKU
WMET0225
Specialty: Giclee on Matte Paper, Deckled and Floated on Mat
  • Matte Paper
  • Deckled and Floated on Mat
  • 12"w x 15"h
:
Image M0423SUB1
M0423SUB1
1.13″ x 0.75″
:
Image B133
B133
2″

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DP802467_20x30

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

Self-Portrait, from The Iconography

Anthony van Dyck (Flemish, 1599–1641)

Etching; first state of seven; 9 1/2 x 6 1/8 in.; ca. 1640

Bequest of Mary Stillman Harkness, 1950     50.583.4

In this lively self-portrait of about 1640, Van Dyck masterfully etched his turning head with the spontaneity and fluidity found in his drawings, and merely suggested the rest of his body through the deftly placed lines indicating his neck and collar. Together with the other prints in his Iconography, a portrait series portraying approximately 100 famous nobles, scholars, and, especially, artists, Van Dyck’s self-portrait enlivened this established genre with its fresh and original depiction of the sitter.

DP802467_20x30

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

Self-Portrait, from The Iconography

Anthony van Dyck (Flemish, 1599–1641)

Etching; first state of seven; 9 1/2 x 6 1/8 in.; ca. 1640

Bequest of Mary Stillman Harkness, 1950     50.583.4

In this lively self-portrait of about 1640, Van Dyck masterfully etched his turning head with the spontaneity and fluidity found in his drawings, and merely suggested the rest of his body through the deftly placed lines indicating his neck and collar. Together with the other prints in his Iconography, a portrait series portraying approximately 100 famous nobles, scholars, and, especially, artists, Van Dyck’s self-portrait enlivened this established genre with its fresh and original depiction of the sitter.