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Getting Started

In stock
SKU
WMET0229
Specialty: Giclee on Matte Paper, Single Mat (Bottom)
  • Matte Paper
  • Single Mat (Bottom)
  • 14.75"w x 11.75"h
:
Image M0859
M0859
1.13″ x 0.75″
:
Image FWM-RAW-CAN
FWM-RAW-CAN
2.25″

Default product specifications may be changed using our art customizer.

Maximum 250 characters
1975.1.672_48x32

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

The Painter’s Studio

Henry-Bonaventure Monnier (French, 1799–1877)

Pen and ink with colored washes over graphite, on heavy buff wove paper within a drawn ink border; 7 1/2 x 11 5/8 in.; ca. 1855

Robert Lehman Collection, 1975     1975.1.672

Monnier scrutinized the life of the French bourgeoisie through his work as a caricaturist, lithographer, actor, and writer. A notorious prankster and humorist, he created satirical portraits of the Parisian middle class for popular albums and journals. This drawing is characteristic of Monnier’s treatment of the trades and vocations of the day. The studio is cluttered with the various objects related to the painter’s practice, while the diminutive artist sits, palette in hand, in front of a fresh canvas.

1975.1.672_48x32

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

The Painter’s Studio

Henry-Bonaventure Monnier (French, 1799–1877)

Pen and ink with colored washes over graphite, on heavy buff wove paper within a drawn ink border; 7 1/2 x 11 5/8 in.; ca. 1855

Robert Lehman Collection, 1975     1975.1.672

Monnier scrutinized the life of the French bourgeoisie through his work as a caricaturist, lithographer, actor, and writer. A notorious prankster and humorist, he created satirical portraits of the Parisian middle class for popular albums and journals. This drawing is characteristic of Monnier’s treatment of the trades and vocations of the day. The studio is cluttered with the various objects related to the painter’s practice, while the diminutive artist sits, palette in hand, in front of a fresh canvas.