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View to the Piazza

In stock
SKU
WMET0230
Specialty: Giclee on Matte Paper, Single Mat (Bottom)
  • Matte Paper
  • Single Mat (Bottom)
  • 12"w x 14"h
:
Image M0274
M0274
1.25″ x 1.63″
:
Image 130C
130C
2.25″

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1975.1.695_56x72

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

View of the Campidoglio with the Statue of Marcus Aurelius

Hubert Robert (French, 1733–1808)

Pen and black ink, brush and watercolor over red chalk counterproof; 17 1/4 x 13 1/8 in.; 1762

Robert Lehman Collection, 1975     1975.1.695

Robert is known to have made counterproofs of his drawings to reproduce a unique work of art in duplicate. In this instance, he took a red-chalk drawing and ran it through a press against a blank sheet of paper, resulting in the same image in reverse. Counterproofs were customarily reworked in other media, here in pen, black ink, and watercolor. This drawing was strengthened with red ochre wash to denote half tones, white wash to emphasize the brilliantly lit middle ground, and blue-green watercolor to accentuate the walls framing the doorway. The figures were then heavily reworked with pen and black ink.

1975.1.695_56x72

This Met x Wendover Art Group design is a reproduction of an original work of art in The Metropolitan Museum of Art collection.

View of the Campidoglio with the Statue of Marcus Aurelius

Hubert Robert (French, 1733–1808)

Pen and black ink, brush and watercolor over red chalk counterproof; 17 1/4 x 13 1/8 in.; 1762

Robert Lehman Collection, 1975     1975.1.695

Robert is known to have made counterproofs of his drawings to reproduce a unique work of art in duplicate. In this instance, he took a red-chalk drawing and ran it through a press against a blank sheet of paper, resulting in the same image in reverse. Counterproofs were customarily reworked in other media, here in pen, black ink, and watercolor. This drawing was strengthened with red ochre wash to denote half tones, white wash to emphasize the brilliantly lit middle ground, and blue-green watercolor to accentuate the walls framing the doorway. The figures were then heavily reworked with pen and black ink.