Local Storage seems to be disabled in your browser.
For the best experience on our site, be sure to turn on Local Storage in your browser.

Wheat Field with Cypresses

In stock
SKU
WMET0029
Specialty: Giclee on Gallery Wrapped Canvas, Floated on Mat, Framed in Shadowbox
  • Canvas
  • Non-Customizable
  • 26.5"w x 23.5"h
:
Image MC2329
MC2329
1″ x 2.13″
:
Image B500
B500
4.03″
Maximum 250 characters
Download Tear Sheet
Wheat_Field_with_Cypresses_V2

Our Inspiration: Wheat Field with Cypresses

Vincent van Gogh (Dutch, 1853–1890)

Oil on canvas, 28 7/8 x 36 3/4 in., 1889

Purchase, The Annenberg Foundation Gift, 1993   1993.132

Cypresses gained ground in Van Gogh’s work by late June 1889 when he resolved to devote one of his first series in Saint-Rémy to the towering trees. Distinctive for their rich impasto, his exuberant on-the-spot studies include The Met’s close-up vertical view of cypresses and this majestic horizontal composition, which he illustrated in reed-pen drawings sent to his brother on July 2. Van Gogh regarded the present work as one of his “best” summer landscapes and was prompted that September to make two studio renditions: one on the same scale (National Gallery, London) and the other a smaller replica, intended as a gift for his mother and sister (private collection).

Wheat_Field_with_Cypresses_V2

Our Inspiration: Wheat Field with Cypresses

Vincent van Gogh (Dutch, 1853–1890)

Oil on canvas, 28 7/8 x 36 3/4 in., 1889

Purchase, The Annenberg Foundation Gift, 1993   1993.132

Cypresses gained ground in Van Gogh’s work by late June 1889 when he resolved to devote one of his first series in Saint-Rémy to the towering trees. Distinctive for their rich impasto, his exuberant on-the-spot studies include The Met’s close-up vertical view of cypresses and this majestic horizontal composition, which he illustrated in reed-pen drawings sent to his brother on July 2. Van Gogh regarded the present work as one of his “best” summer landscapes and was prompted that September to make two studio renditions: one on the same scale (National Gallery, London) and the other a smaller replica, intended as a gift for his mother and sister (private collection).